News Home & Design Angular Small House Is Inspired by Dutch and Japanese Design By Kimberley Mok Kimberley Mok Twitter Writer McGill University Cornell University Kimberley Mok is a former architect who has been covering architecture and the arts for Treehugger since 2007. Learn about our editorial process Updated October 25, 2018 Share Twitter Pinterest Email ©. Casey Dunn News Environment Business & Policy Science Animals Home & Design Current Events Treehugger Voices News Archive Clad with reclaimed cedar, this modern and quirky house fits on a small footprint. As we've heard time and time again, downsizing one's 'stuff' and living in a smaller space can bring a measure of financial and emotional freedom. But tiny houses -- ones that come in at 400 square feet or less -- aren't for everyone. Hence, small houses can be one way to compromise: they are neither too big and inefficient, nor too small. Inspired by elements of Japanese and Dutch design, Austin, Texas-based Studio 512 created this angular, ancillary structure -- clad in reclaimed cedar shingles -- for a television and documentary film producer. Though it serves as a guesthouse behind the client's main house, it's not too difficult to imagine this 550-square-foot design being translated as a home for a couple or a small family. © Whit Preston The Hive house's quirky form is a response to local regulations that limit the footprint of guesthouses to be 320 square feet (30 square metres). To make it larger on a smaller footprint, architect Nicole Blair made the walls slant out and added a second floor. © Whit Preston © Whit Preston © Whit Preston The interior is clean and minimalist, but warmed up with some reclaimed wooden accents on the cabinetry. The open-concept living room and kitchen connect visually with each other, but thanks to the slanted walls, the kitchen extends off to one side, creating more counter space. According to Blair on Dezeen, the way the spaces are conceived and angle out depend on their function, and is based on the principles of Leonardo da Vinci's Vitruvian Man: [The Vitruvian Man's] range of motion is circular, the widest at shoulder height, the narrowest at the ceiling and floor. This observation, coupled with close examination of the actions performed in each space – sitting, sleeping, standing – inform the shape of The Hive to yield a dynamic, structured environment for living that feels both intimate and grand. © Whit Preston © Adam Schreiber Walking upstairs, one can see a lovely perch where the open office is located, overlooking the space below. There are also two doors; beyond them lay the bedroom and bathroom. © Whit Preston © Whit Preston © Adam Schreiber and Whit Preston Not quite Japanese nor Dutch, it's a unique little house that looks to two cultures that know how to make the most out of a small footprint, without going overboard. To see more, visit Studio 512.